Studio interference is not a new phenomenon. Studio suits have always thought they know better than the creative people they hire. With Alien 3 they went a step too far.

Many heroes have a defining relationship with their antagonist, but none as memorable, shocking, time-, space-, and even body-hopping as that of a certain Warrant Officer and an acid-blooded, piston-jawed xenomorph.

Tim Pelan explains why the tagline “This time, it’s war” was a very fitting one.

In August at CDX Towers everyone can hear us scream. Though most in the office here can see us film nerds cower in the corner whenever the lights are out.

The Hybrid scene in Alien: Resurrection is one of the most incredible scenes in modern cinema, but not in a good way.

2001: A Space Odyssey on one level considers the birth, ascent and re-birth of mankind into a “star child”. Alien represents the Freudian nightmare tucked away in the recesses of the mind, a disturbing perversion of birth, life from death, invasive and toxic.

They say that in space, no one can hear you scream. In August at CDX Towers everyone can hear us scream as we reveal part 2 of our favourite Alien moments.

With a franchise as open to potentially creative, inventive and innovative game-design as the Alien saga, there surely must have been a rich selection of excellent games out there to sink our teeth into over the years. Mustn’t there?