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Oasis may have released yet another decaffeinated version of their original, now apparently outlawed, brew last year, but that hasn`t stopped their fans from riding the buzz of their latest sugar pill. Yes, the somewhat mouldy Mancs picked up an unbelievable seven nominations for this year`s NME Awards last night - however, with a tantalising nod for `Worst Band` it`s clear not everyone is still enamoured with the Gallagher brothers.
Elsewhere, the nominations look like a who`s who of the NME front cover over the past year including two shouts for Crystal Castles who`s Alice Glass picked up the much-derided number one spot in last year`s `cool list` and various recognition for the work of Alex Turner of Arctic Monkeys and The Last Shadow Puppets.
This year`s `Godlike Genius` award, nominated by the magazine, goes deservedly to The Cure for over three decades of fine music, horrendously-applied make-up and disguising cosummate happiness as acute misery.
Best British Band
Bloc Party
The Last Shadow Puppets
Muse
Oasis
Radiohead
Best International Band
Crystal Castles
The Killers
Kings Of Leon
MGMT
Vampire Weekend
Best Solo Artist
Ladyhawke
Laura Marling
Lightspeed Champion
Jay-Z
Pete Doherty
Best New Band
Glasvegas
Late Of The Pier
MGMT
Vampire Weekend
White Lies
Best Live Band
The Killers
Kings Of Leon
Muse
Oasis
Radiohead
Best Album
Bloc Party – `Intimacy`
Glasvegas – `Glasvegas`
The Killers – `Day & Age`
Kings Of Leon – `Only By The Night`
Oasis – `Dig Out Your Soul`
Best Track
Kings Of Leon – `Sex On Fire`
The Last Shadow Puppets – `The Age Of The Understatement`
MGMT – `Time To Pretend`
The Ting Tings – `That`s Not My Name`
Vampire Weekend – `A-Punk`
Best Video
The Last Shadow Puppets – `My Mistakes Were Made For You`
Late Of The Pier – `Heartbreak`
Oasis – `The Shock Of The Lightning`
Radiohead – `House Of Cards`
Vampire Weekend – `A-Punk`
Best Live Event
Glastonbury
Isle Of Wight
Reading and Leeds
T In The Park
V Festival
Best TV Show
Gavin & Stacey
The IT Crowd
The Mighty Boosh
Never Mind The Buzzcocks
Skins
Best Film
The Dark Knight
Juno
Quantum Of Solace
Twilight
Wall-E
Best Dancefloor Filler
Bloc Party – `Mercury`
Crystal Castles – `Courtship Dating`
Dizzee Rascal & Calvin Harris – `Dance Wiv Me`
Friendly Fires – `Paris`
Late Of The Pier – `Bathroom Gurgle`
Best DVD
Arctic Monkeys – `At The Apollo`
Foo Fighters – `Live At Wembley Stadium`
Kaiser Chiefs – `Live At Elland Road`
Muse – `HAARP`
The Rolling Stones – `Shine A Light`
Hero Of The Year
Alex Turner
Barack Obama
Brandon Flowers
Noel Fielding
Noel Gallagher
Villain Of The Year
Amy Winehouse
George Bush
Gordon Brown
John McCain
Pete Doherty
Best Dressed
Alex Turner
Alexa Chung
Brandon Flowers
Noel Fielding
Noel Gallagher
Worst Dressed
Amy Winehouse
Brandon Flowers
Johnny Borrell
Katy Perry
Pete Doherty
Worst Album
Britney Spears – `Circus`
Coldplay – `Viva La Vida Or Death And All His Friends`
Jonas Brothers – `A Little Bit Longer`
Razorlight – `Slipway Fires`
Scouting For Girls – `Scouting For Girls`
Worst Band
Fall Out Boy
Jonas Brothers
Oasis
Scouting for Girls
Tokio Hotel
Sexiest Male
Carl Barat
Keith Murray
Matt Bellamy
Miles Kane
Pete Doherty
Sexiest Female
Alison Mosshart
Hayley Williams
Kate Jackson
Lykke Li
Stephanie Dosen
Best Website
Bebo
Facebook
Last FM
MySpace
YouTube
Best Venue
Brixton Academy
Manchester Apollo
London Astoria
Glasgow Barrowlands
London O2 Arena
Best Album Artwork
The Cure – `4:13 Dream`
Guillemots – `Red`
The Killers – `Day & Age`
Muse – `HAARP`
We Are Scientists – `Brain Thrust Mastery`
Best Band Blog
Foals
Lightspeed Champion
Little Boots
Noel Gallagher/Oasis
Radiohead
Godlike Genius
The Cure
Richard Brown (View Original Article)
Nick Foster (View Original Article)

Following their debut album 'With Love and Squalor's success, We Are Scientists release an odds 'n' sods collection entitled 'Crap Attack' through Virgin on November 6th.
The CD contains their cover of Sigur Rós' 'Hoppipolla', Art Brut's 'Bang Bang Rock & Roll' and a host of other B-sides and remixes.
The DVD features videos for all 12 tracks on 'Love and Squalor', a full gig from the Shepherd's Bush Empire and a commentary from the band.
Wow! Is that a package or is that a package?
Richard Brown (View Original Article)
Chris Cain says on the band`s website, "We were feeling more and more queazy about a second re-release (the `Nobody Move` re-release having been our last single), cuz re-releases are dumb."
CDX think this is great news and hopefully an end to these dodgy tactics employed by record companies to re-promote albums which have already sold well. It should also benefit the band by putting pressure on them to record a swift follow up to their debut, thus capitalising on a fanbase who still remember who they are and haven`t moved on (yes, The Killers, you might want to think about that).
We Are Scientists have also revealed that they`ll be touring the USA this autumn in a triple header with Art Brut and The Spinto Band.
Richard Brown (View Original Article)
After the promising first couple of songs the album dives into drivel that doesn't sound any different to the dozens of "emo/punk/indie" bands that get pushed out by record company's trying to cash in on a sound that either worked for the band once or worked for another band and the record executive said "Hey, Let's do what they did!". 'Brain Thrust Mastery' was really a let down since I was a fan of their first major label release 'With Love and Squalor'. I will give the guys that they have skills and they know how to put out an album for people that love cheesy pop and pine for the days when Duran Duran were on the airwaves (I swear 'Lethal Enforcer' is a cover!). And that still doesn't mean I have to like it...Simon Le Bon and John Taylor did it better. The few moments in the album where I thought to myself " I like this." were not because I was enjoying the musical "mastery" of 'We Are Scientists' (see what I did there?). It was because the songs all make me think of other bands. Bands that did what 'We Are Scientists' are trying to do but did it better. If I want a 'James' or 'Morrissey-esque' track, I will listen to 'James' or 'Morrissey'...and I do.
'Brain Thrust Mastery' is not a bad album, it just isn't a good one either. We Are Scientists may have had more practice and a bigger studio budget but they fail to match the success of their first album and if they plan on making it past a third album they should think about making music that sets them apart from the pack instead of trying to channel hit makers of the past.
Phil Russell (View Original Article)
Richard Brown (View Original Article)
Richard Brown (View Original Article)
Nick Foster (View Original Article)
Richard Brown (View Original Article)
Not for We Are Scientists though, you get the impression that the banter is their raison d'etre - just check out their website for agony uncle advice, an alternative Queen's speech and other comedic delights. Between songs tonight there's no topic too fanciful - Keith Murray and Chris Cain's double act encompasses water beds, the support act's lawn mowing services and much in between. You'd almost be forgiven for not noticing there's a drummer and keyboard player on stage.
I've often wondered why the same playfulness can't be found in their songs. I'm not saying they don't have some enjoyable tracks in their arsenal - the sell-out crowd's singing, shouting and bouncing showed they have plenty of those. It's just that their clowning around masks the songs' often quite downbeat subject matter.
Not that the songs' subject matter is of much concern in a live setting when it's wrapped in crowd-pleasing, begging-to-be-pogoed-to indie rock. The hits from the first album generated the most commotion, especially 'It's A Hit', 'Nobody Move, Nobody Get Hurt' and 'Cash Cow'. Of the new tunes, 'After Hours' saw one of the support band, Oxford Collapse, joining them on guitar and 'Lethal Enforcer' stood out with it's killer chorus.
Last time I saw the Scientists the encore was an impassioned karaoke singalong to the Boys 2 Men, er, classic 'End Of The Road'. This time they played it reasonably straight and fired off an aggressive 'The Great Escape' to send the crowd bouncing off into the night.
Photo by Michelle Owen
Chris Unitt (View Original Article)
The Blood Arm may have initially risen to fame in the UK by being Franz Ferdinand`s favourite band but, boy, can they speak for themselves, particularly lead singer Nathaniel Fregoso who rocks the mic like a trash-talking evangelist. Before `Mass Murder` he singles out one girl named Sarah and declares that he`d travelled the world just to see her tonight. Yeah, I`ll bet he says that to all the girls.
Musically, their sound is considerably more poppy than a name like `The Blood Arm` should allow with infectious piano-led grooves and jolly drums on offer. By the time they`ve reached set closer `I Love You But I Don`t Need You` - via an energetic rendition of latest single `Suspicious Character` - the audience is in no doubt that they`ve seen a band that should reach indie`s A list sooner rather than later. Even if their lead singer is as likely to preach a sermon as he is to jump from the top of a speaker into the balcony...which he does tonight, last seen moseying off in the direction of drugs.
Now, when a band begin their set with a cover of `Against All Odds` you`d probably swear you`ve gone to see the X-Factor tour, but that`s how We Are Scientists have chosen to begin tonight. It`s a pretty awful start but thankfully the band do improve - slightly.
The between song banter actually provides a lot of the entertainment tonight. We learn, among other things that one of the band celebrated his 21st birthday in Aberdeen by playing a gig in Kef. Yes, they seem like the kind of guys you`d like to go for a beer with.
It`s a real shame then, that their set just sounds like I`m listening to the same Bloc Party b-side for an hour with occasional leaps into (whisper it) Emo. The audience around me seem similarly non-plussed, only causing a stir for the rather limp renditions of previous singles `Nobody Move, Nobody Get Hurt` and `The Great Escape`. By the time they reach their much-talked about second cover of the night - Boyz II Men`s `End of the Road` sung by drummer Michael Tapper - it`s one goofy leap too far.
An average gig from an average band.
Richard Brown (View Original Article)
| 1. | Nobody Move, Nobody Get Hurt |
| 2. | The Great Escape |
| 3. | After Hours |
| 4. | This Scene Is Dead |
| 5. | Inaction |
| 6. | Can't Lose |
| 7. | It's A Hit |
| 8. | Callbacks |
| 9. | Cash Cow |
| 10. | Chick Lit |
